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Steven Prop is a long-haul trucker and a photographer. He started writing as a way to kill time on the road when the weather will not permit him to explore with his camera. He has lived all over the US including an eleven year stay in Fairbanks, Alaska. He is fifty-five years old.
Author Steven Prop
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Brighter Blue.
I was lost forever
the second you gave me everything.
And lost I shall remain.
You've given me a thousand smiles
and no two have been the same.
You are the exodus of my choosing
and the hearth that calls me home.
You are the forest the world won't find me in.
You are the marrow in my bones.
I'm trading
all my yesterdays
for tomorrows
filled with you
I'm washing away those angry colors
and bringing home
a brighter blue.
Take the little pieces of me
and I'll take the little pieces of you
and we will join them neatly
in our little piece of the world.
You with your coffee
and me, trying to find peace
early in the morning
in an almost quiet kitchen
(Can you hear the second hand on the clock giving away our time?)
before you bring that aural spell
that you cast on me.
Before my eyes hear the noise
that is you
and your brighter shade of blue.
Serviceable
He has always been too loud to hide,
and too quiet
when it was important for him
to make the most noise.
When he has nothing to say,
He blooms.
When he needs to shout
there is a mute button out there
wired to him
and controlled by clowns.
Sometimes, he can't even hear himself,
But he is still entirely to loud to hide.
Some positions are hard to abandon.
Especially when every clown in the car
has a hammer
and an opposing destination.
Old clowns out,
new clowns in
and he didn't even have time to remove
himself.
He's died a little
every day, and
every day, he'll
die a little more
choking on a voice
deceptively labeled as
antiquated.
That's what they call it,
antiquated, or ancient,
to hang a state of decrepitude around his neck, to destroy what is pleasantly and obviously vintage and proven,
to make way for that which is alarming,
untried and untrue.
He is too loud to hide in a
frame that large.
His presence produces an echo.
It bounces off the city walls.
like a shockwave,
a preview that blooms
and captures not one imagination
in a place no one knows the difference
between antiquated
and vintage.
Serviceable.
Someone, anyone, pull that
Goddamn hand brake and
Let me off,
back in Bowdoinham, Maine
in 1979
Hello, this is Steven. I've decided that I'm going to put new pieces here every now and then and see what happens..
Hope you enjoy it.
Parallax
I said I miss you.
It's a significant weight.
To miss you
moves me.
I feel you move me.
There's heat in that empty void
and I have to put you there.
I have to carve your name, your face
your voice,
on the inside
and out.
I see you in two perspectives,
yet I am standing in one place.
I have to etch you in flesh that scars.
I have to taste the salt of perspiration
and the iron of blood
that runs in rivulets
from the scars that bear your name.
I have to pull the scabs to remind me
that you are not mine
and can never be
more than a muse.
More than a friend.
And I think I know why some embrace
the darkness.
And I hear the old demons urging me
to abandon my moral compass.
I burn.
And I would rather not burn,
but I will burn before I get this one
wrong.